Suffragette is the first feature film to tell the story of the foot soldiers of the early feminist movement who risked everything in the fight for equality. Based on true events, it explores the passion and heartbreak of those who risked all they had for women’s right to vote. Suffragette is the first British film for which the Houses of Parliament opened its doors as a location.
Introduced by Dr Kayla Parker, artist film-maker and Lecturer in Media Arts at Plymouth University, whose research interests include feminist film practices.
We are delighted to present the work of Georgie Grace, Jennet Thomas and Serial Composition as part of this artist showcase. The artists were selected from the 2017 Plymouth Contemporary, a major Plymouth biennial exhibition hosted by Peninsula Arts and KARST.
They were recognised for presenting new and original ideas and pushing the boundaries of their field, which include film, animation, painting and drawing.
Before we begin, we should warn you: This story ends with a dragon…
Seth Kriebel returns to Plymouth with Beowulf, an interactive performance-game inviting the audience to explore the world of a story from our legendary past… without leaving their seats.
Each show is unique, depending on the audience’s choices, bringing the world of the ancient epic to life… and asking why, after all these years, we still tell each other stories about the monsters that lurk in the dark.
Duration: 60 minutes (approx)
Tickets: £10 (standard)/£7 (concession)/ Free to Plymouth...
Christopher DeWeese is the author of The Black Forest and The Father of the Arrow is the Thought, both published in the US by Octopus Books. His third book, The Confessions, was published by Plymouth University's Periplum Poetry imprint in 2017.
He is currently Associate Professor of Poetry at Wright State University, Ohio.
Tickets: £6 (standard), £4.20 (concessions), Peninsula Arts Friends free/ Free to Plymouth University students via SPIA
A reflective consideration of how and why we construct narrative.
Rachel Mars and Greg Wohead take Pixar’s 22 Rules for Storytelling and How Stories Make Us Human, make them f*ck each other, kidnap the resulting baby and dance out a prophecy of its future life before its barely opened eyes.
We promise no less than 110 minutes. We promise real fictional characters. We promise a plot. We promise a surprise twist. We promise a rupture. We promise an ending. We promise a rupture.
Please note, this performance contains explicit sexual content and images, and is therefore...
In his first narrative feature film, director Isaac Julien aimed to champion "black independent cinema, which deals with questions of sexuality, gender and national identity".
In the long hot summer of 1977, London prepared for the Silver Jubilee celebrations to the sounds of the burgeoning punk, soul and funk scenes. Soul boys Chris and Caz, a pair of pirate radio DJs, broadcast their show from a friend's garage, tussling with the local skinheads and clubbing with Chris' sassy music-industry girlfriend Tracy. But, social and sexual tensions in the community...
Luther’s posting of 95 Theses to the door of the Wittenberg Castle Church in 1517 is among the most famous events of the Reformation. But did it really happen?
This talk reviews the evidence, and concludes it probably didn’t. So how did a ‘non-event’ end up becoming the defining moment of the Reformation and an iconic episode of the modern historical imagination?
Professor Peter Marshall from the University of Warwick explores what Luther’s theses-hammering has meant in different times and places, and the variety of purposes to which it has been put.
A Channel 4 Random Acts award-winning filmmaker presents their film and takes questions from the audience. Alongside this a selection of documentary work screenings by the University’s BA Media Arts and BA Film & Television Production cohorts will be shown.
Awards will be presented to the winning makers from the two PLAYBACK workshops.
Around the time of the collapse of the Roman Empire books began to replace scrolls as the primary means of preserving texts. However, for the first 1000 years of books' existence each one was laboriously copied by hand.
The choices made in the design and content had very significant consequences both for the preservation of knowledge and the ways in which readers accessed it.
Dr Cleaver, Ussher Lecturer in Medieval Art at Trinity College, Dublin will explore ways in which medieval manuscripts shape how we think about and access information.
Devon and Cornwall Police have recently introduced Infrared ‘low Light’ camera technology within Plymouth and have now expanded their innovative equipment across the Force area.
The use of such use technology intends to reduce the amount of fatal and serious road traffic collisions on Devon and Cornwall roads.
Marcus Laine, Operations Manager for the Peninsula Road Safety...
